Daniel Cowper
Trick or Treating
After the beasts are dragged away, the ploys
of masked actors forgot, and captives’ tears
have drained into the sand, three troops of noble boys
on horseback wage their labyrinthine wars.
The Feasts of Ovid, Book XI, October 31
Cottonwool webs quake on shrubs. Tinny
speakers cackle. Terror sunk in greed, tiny
witches crunch up gravel walks, recite Trick
or Treat, Trick or Treat, paw through a plastic
pumpkin to pick out favourite sweets. Flashlights
waver in parents’ hands as evening dims to night;
lamps shaped like stars begin to glow on wands
of wizards, like blooms on the wands of blondes
with butterfly wings and glitter, to show
the flock of frightened ghosts and heroes
the paths through trees to the gravel causeway
between salmon-run lagoon and ship-sparred bay.
A bead of fire whistles above the boats:
a crossette of crackling red sparks explodes,
then burning palm-trees fizz — peony petals drip
with a hiss between the masts of anchored ships,
while thunderclaps start toddlers crying in the dark,
put nervous dogs in fits. A pause, while dogs bark
for miles. Men move among the mortars. A lull.
Is that all? some ask. No, no, just wait. Stars pulse
in the black gaps as if alive. In the hush,
a dot spins up, bursts into a flaming bush
of green — blooms of blue kamuro, argent
chrysanthemums. The fiery scent of spent
gunpowder — the oohs — the cheers — shaped humps
of fumes. A staccato of pops and thumps:
globes of gold and blue stack higher and higher.
Fire and ash strive like apprehension and desire
to build a bouquet that scintillates, tumbles
as it climbs.
The last sparks cinder; spells crumble
into darkness. Crowds hoot with gratitude;
laughing parents trudge home through the wood,
worn-out heroes and witches in their arms.
Boys
splash spirits into jack-o-lanterns; infernos
dance hungrily up from eyes and nose
to scorch white lintels and cedar eaves. Depots
of Roman Candles wait for teens to use as ammo
for midnight wars.
Puff puff, their fireworks go —
blobs of burning metals ricochet off tree boles
and garbage can lids wielded as bucklers — bore holes
through clothes, scorch nasty-smelling sores
like egg-yolks in living skin. Teens scream
in outrage at their capability for pain; dirt-bikes roar
through tan salmonberry tares, careen
between blazing stars that hop from rock to brink,
drop hissing in dark streams.
Later, they’ll laugh and drink.
Later, they’ll compare
wounds and scars, share
futons and die for one another joyfully in their dreams.
Daniel Cowper lives on an island off the west coast of Canada, with his wife and their two sons. His writing has appeared in publications in Canada, the USA, Ireland, and the UK. New poems are forthcoming in
The Windhover and
This Magazine. He is the author of a poetry chapbook,
The God of Doors, which won the Frog Hollow Chapbook Contest, a book of poetry,
Grotesque Tenderness, and a verse novel,
Kingdom of the Clock, which is forthcoming in 2025.