Sally Thomas
Aubade with Grackle
A grackle called from the greening backyard oak,
One long derisive note. The sky hung white
Above the house. Inside, still half-awake,
I listened to the neighborhood. The quiet
Gave way to dogs and hens, the first rough stroke
Of someone’s pickup engine. Rising light
Seeped in like water through the plastic blind.
The day stepped forward, meaning to be kind.
The day stepped forward, meaning to be kind,
I thought, because I liked the thought. Preferred
The time to have intent, the world a mind
Attuned to goodness. Still the new leaves stirred
In random patterns, each leaf like one hand
That clapped itself on air and never heard
What sound it made. The grackle’s taunting call
Said, This is it. There’s nothing else. That’s all.
So this is it. There’s nothing else. That’s all,
The grackle said. But what do grackles know
Except the wind that chuffs them, every squall
An up-thrust wave they breast and surf and row?
Alive, sleek, shining-dark, all rudder-tail
And hollow bone, they don’t ask where to go,
Or how. What time they have suffices them.
I don’t remember now the day that came—
I don’t remember now the day that came
To me. I lay in bed and heard the quiet,
That one note piercing it. The waking dream
Of memory loses focus there. The light
Remains, that rose so grayly in that room
To bring me news of other things in flight,
And waken me to my own life, although
What kindness that day wrought I do not know.
Author of two poetry collections—Motherland, which appeared from Able Muse Press in 2020, and the forthcoming Among the Living—Sally Thomas is co-writer for the Substack newsletter Poems Ancient and Modern, which features a classic poem with a short introductory essay every weekday. Her novel Works of Mercy was published by Wiseblood Books in 2022, as was Christian Poetry in America Since 1940: An Anthology. A short-story collection, The Blackbird, is due out in August 2024.